BEGIN:VCALENDAR VERSION:2.0 PRODID:-//EuroSEAS 2024//EN X-WR-CALNAME:EuroSEAS 2024 BEGIN:VTIMEZONE TZID:Europe/Amsterdam X-LIC-LOCATION:Europe/Amsterdam BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 DTSTART:19700329T020000 RRULE:FREQ=YEARLY;BYMONTH=3;BYDAY=-1SU END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 DTSTART:19701025T030000 RRULE:FREQ=YEARLY;BYMONTH=10;BYDAY=-1SU END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTAMP:20240919T034600 UID:euroseas-2024-sounding-power-and-dissent-in-southeast-asia-1 SUMMARY:Sounding Power and Dissent in Southeast Asia (1) LOCATION:REC A2.14 DESCRIPTION:This panel explores the relationship between state power and so und, with an emphasis on the significance of sonic dissent in contesting au thority and imagining alternative ways of being in, listening to, and sensi ng the world. Recent years have seen a surge of interest in sound as a heur istic tool to analyze the acoustic dimensions of governance and the exercis e of authority. This approach has challenged ocularcentrism by arguing that disciplinary power involves not only the all-seeing gaze of the state but also acts of sounding that aim to assert sonic dominance over bodies and sp ace. At the same time, sound and sound-making practices have been shown to disrupt attempts to establish order through sensory discipline. People harn ess the affective power of collectively producing and listening to sound, o ften with the intent to subvert authority. In the process they create alter native acoustic environments that reconfigure subjectivities and forms of i ntimacy, also between citizens and the state.\n\nThe panel analyzes the sig nificance of sound, and its entanglements with other sensory experiences, i n understanding changes to power dynamics and soundscapes in Southeast Asia and its diasporas. It asks: How might an attention to sound allow us to th ink differently about the operations of power in historical and contemporar y Southeast Asia? What might an acoustics of power—and opposition—look like ? In what ways are sounds and sonic technologies employed as instruments fo r social and political struggle to produce particular sonic sensibilities? What role has sound played in de/colonization, particularly within contempo rary state making projects? And how has sound figured in processes of migra tion and the creation of alternative sonic narratives?\n\nThis double sessi on aims to facilitate an interdisciplinary dialogue on sound(s) across vari ous temporal and spatial contexts of governance and resilience in Southeast Asia, with an emphasis on transnational interconnections. Panelists engage with the sonic aspects of power and dissent in Southeast Asia and Southeas t Asian diasporas to consider how the legacies of colonialism and imperiali sm have been mediated and contested through sound. URL:https://euroseas2024.org/panels/sounding-power-and-dissent-in-southeast-asia DTSTART;TZID=Europe/Amsterdam:20240724T140000 DTEND;TZID=Europe/Amsterdam:20240724T153000 END:VEVENT BEGIN:VEVENT DTSTAMP:20240919T034600 UID:euroseas-2024-sounding-power-and-dissent-in-southeast-asia-2 SUMMARY:Sounding Power and Dissent in Southeast Asia (2) LOCATION:REC A2.14 DESCRIPTION:This panel explores the relationship between state power and so und, with an emphasis on the significance of sonic dissent in contesting au thority and imagining alternative ways of being in, listening to, and sensi ng the world. Recent years have seen a surge of interest in sound as a heur istic tool to analyze the acoustic dimensions of governance and the exercis e of authority. This approach has challenged ocularcentrism by arguing that disciplinary power involves not only the all-seeing gaze of the state but also acts of sounding that aim to assert sonic dominance over bodies and sp ace. At the same time, sound and sound-making practices have been shown to disrupt attempts to establish order through sensory discipline. People harn ess the affective power of collectively producing and listening to sound, o ften with the intent to subvert authority. In the process they create alter native acoustic environments that reconfigure subjectivities and forms of i ntimacy, also between citizens and the state.\n\nThe panel analyzes the sig nificance of sound, and its entanglements with other sensory experiences, i n understanding changes to power dynamics and soundscapes in Southeast Asia and its diasporas. It asks: How might an attention to sound allow us to th ink differently about the operations of power in historical and contemporar y Southeast Asia? What might an acoustics of power—and opposition—look like ? In what ways are sounds and sonic technologies employed as instruments fo r social and political struggle to produce particular sonic sensibilities? What role has sound played in de/colonization, particularly within contempo rary state making projects? And how has sound figured in processes of migra tion and the creation of alternative sonic narratives?\n\nThis double sessi on aims to facilitate an interdisciplinary dialogue on sound(s) across vari ous temporal and spatial contexts of governance and resilience in Southeast Asia, with an emphasis on transnational interconnections. Panelists engage with the sonic aspects of power and dissent in Southeast Asia and Southeas t Asian diasporas to consider how the legacies of colonialism and imperiali sm have been mediated and contested through sound. URL:https://euroseas2024.org/panels/sounding-power-and-dissent-in-southeast-asia DTSTART;TZID=Europe/Amsterdam:20240724T160000 DTEND;TZID=Europe/Amsterdam:20240724T173000 END:VEVENT END:VCALENDAR