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PRODID:-//EuroSEAS 2024//EN
X-WR-CALNAME:EuroSEAS 2024
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TZID:Europe/Amsterdam
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BEGIN:VEVENT
DTSTAMP:20241226T231600
UID:euroseas-2024-lampah-tracing-embodied-archives-1
SUMMARY:Lampah - Tracing embodied archives (1)
LOCATION:REC A2.13
DESCRIPTION:I propose a workshop-lab that draws on my experiences as an Ind
 onesian dancer, artistic researcher and museum worker. As part of my doctor
 al research, I delve deeply into the concepts of embodied knowledge and neg
 otiating my own identity as an Indonesian dancer in a European context. Wit
 h a history of various Indonesian dance style practices, I investigate how 
 the dance became a tool on the international stage for building a nation-st
 ate identity after Indonesian independence. In this laboratory, I propose a
  movement workshop that introduces basics of Javanese dance and autoethnogr
 aphic writing, exploring how knowledge is produced through doing and then a
 rticulated through writing. The workshop explores decolonising Western know
 ledge construction through experimental methods of research. Highlighting p
 erformance and dance has long been a primary tool for recording one’s
  own and cultural history, especially when scholarly writing and official h
 istorical writing have been done from a Eurocentric/colonial point of view.
  Depending on participants’ disciplinary backgrounds, I would like to
  introduce approaches to how writing and experiential knowledge can cast a 
 different light on traditional research methods, and how I, as an artistic 
 researcher, deal with this in my case.
URL:https://euroseas2024.org/panels/lampah-tracing-embodied-archives
DTSTART;TZID=Europe/Amsterdam:20240725T140000
DTEND;TZID=Europe/Amsterdam:20240725T153000
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20241226T231600
UID:euroseas-2024-lampah-tracing-embodied-archives-2
SUMMARY:Lampah - Tracing embodied archives (2)
LOCATION:REC A2.13
DESCRIPTION:I propose a workshop-lab that draws on my experiences as an Ind
 onesian dancer, artistic researcher and museum worker. As part of my doctor
 al research, I delve deeply into the concepts of embodied knowledge and neg
 otiating my own identity as an Indonesian dancer in a European context. Wit
 h a history of various Indonesian dance style practices, I investigate how 
 the dance became a tool on the international stage for building a nation-st
 ate identity after Indonesian independence. In this laboratory, I propose a
  movement workshop that introduces basics of Javanese dance and autoethnogr
 aphic writing, exploring how knowledge is produced through doing and then a
 rticulated through writing. The workshop explores decolonising Western know
 ledge construction through experimental methods of research. Highlighting p
 erformance and dance has long been a primary tool for recording one’s
  own and cultural history, especially when scholarly writing and official h
 istorical writing have been done from a Eurocentric/colonial point of view.
  Depending on participants’ disciplinary backgrounds, I would like to
  introduce approaches to how writing and experiential knowledge can cast a 
 different light on traditional research methods, and how I, as an artistic 
 researcher, deal with this in my case.
URL:https://euroseas2024.org/panels/lampah-tracing-embodied-archives
DTSTART;TZID=Europe/Amsterdam:20240725T160000
DTEND;TZID=Europe/Amsterdam:20240725T173000
END:VEVENT
END:VCALENDAR